Staff
Katy Chevigny,
Executive DirectorKaty brings 15 years experience as a documentary filmmaker, entrepreneur and nonprofit manager to Arts Engine, Inc. Katy founded Arts Engine, Inc. and its predecessor Big Mouth Productions. Most recently, she directed the film Election Day (2007) which premiered at the South By Southwest (SXSW) Film Festival in March 2007. Election Day takes a vérité approach to American voting. It backs away from two-party combat in favor of what men and women on the street do on their quadrennial day of destiny—November 2, 2004. Election Day is currently on festival tour and will air on public television in 2008. Katy also co-directed Deadline (2004), an Emmy-nominated documentary about the dramatic events that took place in Illinois in 2003 concerning capital punishment. The film aired on NBC in July 2004 and premiered at the Sundance Film Festival. Katy is currently producing The Dishes, about bare-knuckle band-making in Chicago, and has produced many award-winning documentaries at Arts Engine, including: Arctic Son, Nuyorican Dream, Innocent Until Proven Guilty and Outside Looking In: Transracial Adoption Today.
Enrico Cullen,
Director of Development and External AffairsEnrico joined Arts Engine in 2005 to spearhead business development, income initiatives and brand articulation. Focusing on sustainability in the nonprofit sector, Enrico secures funding from a broad spectrum of philanthropies, corporations and family foundations, including the Surdna Foundation, Adobe, Green Mountain Coffee Roasters, Seventh Generation, Netflix, the Bay and Paul Foundations, the Ford Foundation, the Green Family Foundation, and more. Under Enrico’s leadership, Arts Engine continues to develop its reputation as one of the nation’s leading independent media organizations focusing on social issues. Before joining Arts Engine, Enrico was the Director of Development & Public Affairs for Brooklyn Center for the Urban Environment, a $2.5 million nonprofit providing environmental education programs to over 100,000 New York City children, youth and adults each year. He led the planning team and the launch of the Academy of Urban Planning, a New Visions public school located in Bushwick, Brooklyn, and was a principal for the preliminary planning and strategy stages of the organization’s recently completed LEED-certified headquarters.
Kibra Yohannes,
Director of OperationsPrior to her position as Director of Operations for Arts Engine, Inc. she was Director of Programs, working most closely with MediaRights, the Media That Matters Film Festival, and the Youth Media Distribution Initiative. Before joining Arts Engine, Inc. in 2002, she worked in theater production as Company Manager for Freedom Repertory Theater in Philadelphia, a member of the League of Resident Theatres. She also established the first digital archive for the oldest African American newspaper in the United States, The Philadelphia Tribune, and its 120 year-old photo library. She holds a Bachelor of Arts in Anthropology from the University of Virginia. She serves on the Advisory Board of Full Circle Productions, a Hip Hop theater company and as a mentor for Project Involve, an Independent Feature Project (IFP) mentorship program for filmmakers of color.
Angela Tucker,
Director of ProductionAngela is the Associate Producer, Sound Recordist and Outreach Director for Deadline. She was the Outreach Coordinator for Outside Looking In: Transracial Adoption in America and was Line Producer for Beyond the Steps for PBS’ Great Performances. Angela directed and produced a video for ACORN Housing about their predatory lending programs. She produced a narrative short film, Shook (directed by Melanie Williams Oram), which premiered on Showtime. Angela received her MFA in Film from Columbia University where she was awarded a grant from The Academy of Arts and Sciences, a Dean’s Fellowship and a Milos Forman Finishing Fund Award. Currently, she is developing Lo, a documentary about African-American women with bipolar disorder that has received funding from The Paul Robeson Fund for Independent Media. Angela received her B.A. with Honors from Wesleyan University in Theater and African-American Studies. She is a member of New York Women in Film and Television.
David Wright,
Director of Technology and Online ProgramsWith an extensive background in Information Technology and Film Production, David has produced and co-directed projects like Creating Karma and Maya’s Soul. Prior to joining Arts Engine, David spent two and a half years working in developing countries like India, China, Vietnam, Ethiopia, Uganda, Nigeria and Syria on the world’s only Flying Eye Hospital, an organization dedicated to eliminating avoidable blindness. David’s professional background includes seven years as an IT manager, web developer and database engineer in both the non-profit and for profit sectors.
Maia L. Ermita,
Director of Festival and OutreachPrior to joining Arts Engine, Maia served as the Educational Media Specialist for MHz Networks - one of the few independent television networks in the Washington DC area. She has always been involved with media policy and new media production both in New York and Washington through groups such as NYCTV, Media Access Project and Thirteen/WNET. Maia graduated from the George Washington University with a degree in Electronic Media and a minor in Fine Arts & Art History.
Elizabeth Mandel,
ProducerElizabeth is the producer of the film Arctic Son, and a co-producer on Jennifer Fox’s film Flying: Confessions of a Free Woman. She directs and produces educational videos for non-profit organizations such as Jewish Women International and for Johns Hopkins Medical Center’s Project Restore, in additional to producing spots for Nickelodeon and Sundance Channel. Elizabeth served as an associate producer for Jasmine Dellal’s When the Road Bends and was the producer of the Deadline DVD. Prior to joining Big Mouth in 2001, she worked for the United Nations and the Asia Foundation. She has also worked in India, Cambodia, Nepal and Japan on a variety of community development, leadership training and citizen participation projects. She holds a Master’s Degree from Columbia University in International Affairs, with a focus on Economic and Political Development and graduated magna cum laude and Phi Beta Kappa from Columbia University with a B.A. in Religion and East Asian Cultures.
Beth Davenport,
ProducerHaving worked in various capacities at Big Mouth since 2003, Beth brings over eight years of production and outreach experience in television, commercials and award-winning documentaries for P.O.V., Sundance Channel, BBC and Arte France as well as directing advocacy videos and short films. Film credits include: the Emmy-nominated film Deadline, Thomas Balmes’ Wrongful Death and Election Day. Beth is currently a producer at Arts Engine, Inc./Big Mouth Films and is producing The Dishes, directed by Katy Chevigny and directing Rose and Nangabire, a feature-length documentary work-in-progress.
Jolene Pinder,
Associate ProducerJolene is currently a co-producer on the Arts Engine work-in-progress Asexuality: The Making of a Movement. She was Associate Producer for Outreach and Distribution on Arts Engine’s latest releases, Arctic Son and Election Day. She has also served as the DVD Producer for five Arts Engine/Big Mouth films. Jolene’s personal film Bismillah was a finalist for the International Documentary Association’s David Wolper Award, won first place in the Academy of Television Arts and Sciences’ College Television Awards (Student Emmys) and was the recipient of a CINE Golden Eagle Award. Jolene has a background in marketing, sponsorship and graphic design in a variety of non-profit settings—consumer rights, education reform, and most recently, public broadcasting. She holds a Bachelor of Arts degree with honors in English Literature from the University of Chicago and a Masters in Journalism and Communications from the University of Florida’s Documentary Institute.
Kasmore Rhedrick,
Web EditorKasmore is fascinated by the many different ways the global community creates, manages, structures and distributes content to communicate with the world. He began his exploration of mass communication in the green monochrome monitor, dot matrix printer era where he filed daily “column inches” as a beat reporter for the community page of the Asbury Park Press. Kasmore is never bored by the latest developments in communication technology and loves participating in the pursuit to bring something new and cool to the world wide web. Pursuing this interest has taken him to many different countries and “virtual spaces” where he has worked as an online editor, information architect, playwright and dramaturge. A recent opportunity sent him to Qatar where he discovered a passion for Kabaddi and Sepatakraw. Although Kasmore has always been curious about new media and new structures in narrative composition, his first love will always be the traditional well-crafted story complete with local color and subtle drama.
Leah Sapin,
Festival & Outreach ManagerLeah followed a passion for filmmaking from her home in Manchester, England to London then to New York where she has freelanced in television, independent film production and post-production for the last nine years. During her time at the University of Michigan, Leah volunteered in after-school programs and creative writing pursuits, while working in the University Publishing House and performed as event coordinator and marketing designer for the local live music establishment. After graduating with an English Literature Degree, Leah moved back to New York to pursue creative opportunities with a combination of community engagement and youth activism in the graphic design or film industry. In her free time Leah enjoys photography, writing, exploring the wilds of Prospect Park, Brooklyn and saving money whenever possible in order to travel the world.
Philip Lane,
Associate of Development & External AffairsBefore joining Arts Engine, Phil worked in the San Francisco Bay Area for a variety of start-ups and independent media organizations. From 2003 through 2007, he served as Operations Manager for the nationally renowned Ninth Street Independent Film Center. As a mediamaker, his first feature length documentary, WORKING TITLE, screened at the San Francisco MOMA, Mill Valley Film Festival, and Montclair Art Museum (NJ) in 2006. The film is now being distributed to colleges and universities around the country. Phil has a degree in Film and Television from Boston University and an MBA from San Francisco State University.
Felix Endara,
Filmmaker Services CoordinatorEcuadorian-born Felix Endara is a filmmaker and independent programmer living in New York City. His films have screened at festivals including Berlinale and the Mill Valley International Film Festival. Before joining Arts Engine, he was a media educator at Global Action Project, co-facilitating a program for immigrant and refugee youth. Currently, he manages Arts Engine’s fiscal sponsorship program and the newly acquired DocuClub.
Ryann Scypion,
Office ManagerOriginally from Houston, Texas, Ryann moved to New York to attend NYU. She has been working in business administration since graduation and has held various administrative positions from personal assistant to office manager.
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